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Staining and aging are ways of making your new piece of
stitchery look old and, well
primitive. The idea is
to eliminate the crisp new look of the material and give
it a timeworn, much handled appearance. Depending on your
own preference, you can use aging techniques to make subtle
changes, or drastically alter the appearance of your project.
The degree of antiquing will depend partly on the technique
you use, and partly on how intensely you go at it.
First,
ask yourself which look appeals the most to you. Do you
enjoy the extremely primitive look with heavily stained
fabrics that are tattered and torn? This would be more the
look of an old homemade rag doll that has been much loved
and played with over the years, then perhaps abandoned in
an old attic until being recently uncovered. Imagine years
of handling and mis-handling, as well as a good helping
of dust and dirt, some water damage, and maybe even a few
mouse nibbles
around the edges.
If
thinking about that scenario makes you want to rush right
out and buy a box of Biz to soak that little dolly clean,
then mend and press her clothes; perhaps the extreme primitive
look is not right for you.
Perhaps
you are drawn to the look of the sampler that was just discovered
in an old trunk in the basement. It was obviously worked
many years ago, perhaps hung for years in a sunny parlor
or bedroom. The fabric has darkened a little, the colors
are slightly faded. At some point it was packed away in
the old trunk, too precious to be discarded but no longer
in fashion. Unfortunately, there might be a little water
stain or two, but all those imperfections tell the story
of its history.
If
you love the look of character and history this scenario
implies, perhaps the moderate look is right for you. Still,
if that box of Biz is calling your name, better look for
a more subtle approach to your aging techniques.
Personally,
I prefer what I like to think of as "my Grandma's."
If it reminds me of my Grandma, I love it. Grandma would
have loved Biz, if it had been invented in her lifetime.
I think of her dishtowels made from old flour sacks. They
were soft and worn (because they dried the best) and a few
tiny holes were acceptable, but stains were not tolerated.
If they were embroidered pieces, they were never bleached
because that would take the color out of the stitches; therefore
they had a wonderful soft color that came from years of
using and washing. Nothing was ever discarded before it
was completely used up, which fortunately meant that when
she died, her kitchen drawer still held a few of those old
dishtowels. I have used some of Grandma's dishtowels to
made samplers, and they are among my very most favorite.
The
look you prefer will depend on a lot of things: your personal
history, the décor of your home, and maybe just a
gut instinct or desire for a certain time or place lost
to history. Sometimes the piece itself dictates the look.
Whatever style you like, you will be able to achieve using
a variety of techniques. Feel free to experiment and find
your own look. And guess what? It's OK to change your mind.
Try one look for one piece, another look for a different
piece. Most of all, RELAX and have fun. For the most part,
the staining techniques are reversible by simply washing
the piece. So have fun and enjoy creating your own heirlooms.
Copyright
2004 Catholic at Heart
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